A gradual dissolution of boundaries between technology and nature, understood not as opposing forces, but as interconnected systems in continuous transformation.

Landscape becomes a living, unstable territory shaped by erosion, growth, decay, acceleration, and regeneration. Within it, human and non-human systems coexist and transform one another, creating a speculative space between the natural, the artificial, the geological, and the technological.

This territory also reflects the nature of memory: fragmented, altered, eroded, and continuously reconstructed. The landscapes emerge somewhere between remembered places and imagined environments, familiar yet detached from a specific reality.

Painting becomes a way of constructing these environments rather than simply representing them. Materials such as gold leaf, iron powder, textured paint, wood, and oil pastel act as agents of transformation, introducing traces of time, reaction, erosion, and chance.

The resulting works exist between representation and matter, control and unpredictability, destruction and regeneration. They propose a world in permanent formation, where memory, matter, nature, and technology continuously reshape one another.